IATSE, the union representing below-the-line production workers from cinematographers and editors to grips and hair stylists, has moved a crucial step closer to its first strike since 1945. In a strike vote with over 90% turnout, over 98% of members agreed to authorize union leadership to call a strike if negotiations fail.
Although wage increases
We are not out of the woods yet.
Just as Hollywood was coping with the early effects of the pandemic, it barely avoided a Writers Guild strike. After a long year of extensive shutdowns, things just seemed to be getting back on track after unions and management hashed out COVID protocols for productions to
A group of over 100 feature film producers have announced their intention to form a labor union. The group is led by producer Rebecca Green (“It Follows”), who says the time is right for this move. She notes that survey data revealed that 25% of US producers earned less than $2,500 from producing work in
While most of us look back on the last twelve months as a horrible dream, Hollywood’s labor unions can actually point to a string of successes. Early in the pandemic, all three of the above-the-line guilds closed new three year deals that among other things included significant increases in residuals for high-budget streaming programs. Just
In what must be counted as a victory for solidarity among WGA members and the often controversial tactics of its executive director David Goodman, the leading agency WME reached a deal for a franchise agreement with the union. This will permit the agency to resume representing writers almost two years after its writer clients fired
Happy New Year to all. To kick off 2021, I’ve provided quick takes below on some of the bigger stories we’ll be watching
WME v. WGA
Just before Christmas, CAA closed a deal with the Writers Guild regarding phasing out of package commissions and partial divestiture of its ownership of production entities. That left WME
In my last blog, I expressed cautious optimism that the WGA was making progress in settling its long-running dispute with CAA and WME, the two largest talent agencies and the last two holdouts in signing a franchise agreement that would permit them to represent writers. In April 2019, the WGA directed its members to
The battle between the Writers Guild of America and the major agencies has been waged on two fronts for over a year, with mixed results.
Attention recently has focused primarily on the WGA’s pressure campaign to require agencies to sign a Code of Conduct renouncing package commissions and ownership of production companies as a condition
UTA has just announced that it reached agreement with the Writers Guild to sign a franchise agreement that will permit it to resume representation of writers.
This will bring a partial end to a dispute that has lasted for over a year. The WGA had directed its members to fire their agents over
Another blow was struck in the litigation between the Writers Guild of America (WGA) and the top three talent agencies.
In April, the agencies prevailed in their motion to dismiss eight of the nine claims asserted against them by the WGA in the pending US District Court case. They have now moved to dismiss the