United Talent Agency (UTA)

The battle between the Writers Guild of America and the major agencies has been waged on two fronts for over a year, with mixed results.

Attention recently has focused primarily on the WGA’s pressure campaign to require agencies to sign a Code of Conduct renouncing package commissions and ownership of production companies as a condition

Although the coronavirus pandemic has brought production to a virtual standstill, writers, unlike directors and performers, are still able to work on development. While they shelter in place quietly plying their trade, their union has continued to make news.

Agency Litigation

The breaking story is a ruling in the California District Court case between the

This is an update on my blog post regarding the face-off between the Writers Guild of America (WGA) and the major talent agencies, through the Association of Talent Agencies (ATA).

To summarize–OMG!! 

The WGA issued an ultimatum requiring the agents to sign their Code of Conduct forswearing package commissions. This is the practice by which

The Writers Guild of America (WGA) and the major talent agencies are headed for a showdown. The consequences are literally unknowable but could upend the way the television business has operated for decades. This blog will tell you what’s behind the fight and what each side has been saying about it. A disclaimer before I

Earlier this year, several agents from CAA made headlines by leaving the powerhouse agency for smaller rival UTA.  It was the largest mass exodus of agents from CAA since 1995.  Two days later, CAA filed a lawsuit in Los Angeles Superior Court accusing UTA and two agents of conspiring to interfere with CAA’s contractual relationships.